A snapshot is popularly defined as a photograph that is "shot" spontaneously and quickly, most often without artistic or journalistic intent. Snapshots are commonly considered to be technically "imperfect" or amateurish--out of focus or poorly framed or composed. The term derives from the snap shot of hunting. Common snapshot subjects include the events of everyday life, such as birthday parties and other celebrations; sunsets; children playing; group photos; pets; and the like.
The "snapshot camera" tradition continues with inexpensive point-and-shoot digital cameras that fully automate flash, ISO, focus, shutter speed, and other functions, making the shooting of a good-quality image simple. Such cameras are typically programed to achieve a deep depth of field and high shutter speed so that as much of the image is in focus as possible. For expert photographers, who are better able to control the focus point, the use of shallow depth of field often achieves more pleasing images by blurring the background and making the subject stand out.
The snapshot aesthetic refers to a trend within fine art photography in the USA from around 1963[citation needed]. The style typically features apparently banal everyday subject matter and off-centered framing. Subject matter is often presented without apparent link from image-to-image and relying instead on juxtaposition and disjunction between individual photographs.
I am trying to recreate snapshot style photographs. I heard a lot of negative feedback from this during my midterm critique I do not want to give up on it. I know that there are still some issues that I need to deal with but I feel like I am heading in the right direction by trying to replicate the way these images were originally taken.
The term arose from the fascination of artists with the 'classic' black & white vernacular snapshot, the characteristics of which were: 1) they were made with a camera on which the viewfinder could not easily 'see' the edges of the frame, and so the subject had to be centred; and 2) they were made by ordinary people recording the ceremonies of their lives and the places that they lived and visited.
Notable practitioners include Garry Winogrand, Nan Goldin, Wolfgang Tillmans, Martin Parr, William Eggleston, and Terry Richardson. In contrast with photographers like W. Eugene Smith and Gordon Parks, these photographers aimed not "to reform life but to know it."
Mark Jarzombek. "Joseph Agust Lux: Theorizing Early Amateur Photography - in Search of a "Catholic Something"," Centropa 4/1 (January 2004), 80-87.
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