I attended the Diego Sanchez lecture at Page Bond gallery and although I did not find much of his work that intriguing there were a few that caught my eye. However, his playful mannerisms are definitely what pulled me in. When talking about his work he mentioned how he fell in love with formal architecture and although he has never been to Rome but how he is going to work with the Coliseum until he is sick of it.
When preparing his work, he usually starts his panels by staining it with color. He builds surfaces, however, since he is not much of an organized person he uses grids which keeps him grounded. He then just takes his time and just studies the surface of the panels until something hits him. Sanchez’s work is very dependant on the surface of his images. When asked about the drafting lines that show up in his images he said that “they are sometimes planned and sometimes they just show up.”
Sanchez has been trying to find the tie between representation and nonrepresentational of elements. He is interested in how people view representation. He creates a realistic space and then comes back and vacates it. You get a major sense of space and depth when viewing his painting.
When talking about the difference in subject matter between his images of the Coliseum and that of an “underpass,” his latest painting, Sanchez stated that “Art is about recording history as you are making work. Artists can give importance to everything in life. Good thing about being an artist is you can look at something mundane and make it important.” He also mentioned how much you can tell about a person by the types of chairs they choose to purchase when speaking about his images of chairs.
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